Anneli Loepp Thiessen
Dr. Anneli Loepp Thiessen holds a PhD in Interdisciplinary Research in Music from the University of Ottawa, where she wrote the prize-nominated dissertation “Whose Worship? An Examination of Women’s Gendered Experiences in the Contemporary Worship Music Industry” (2025). Dr. Loepp Thiessen is a classical pianist, music educator, arts administrator, music researcher, and worship leader. She holds a Bachelor of Music from Canadian Mennonite University, her ARCT in Piano Performance from the Royal Conservatory of Music, and a Graduate Diploma in Arts Management from Queens University. In June 2020, she completed her Masters of Music at the University of Ottawa, studying with David Jalbert. She enjoys teaching piano, presenting her research to a variety of audiences, adjudicating festivals, composing congregational music, and leading worship at gatherings across Canada and the United States. In July 2025, she will begin a tenure track position at the Canadian Mennonite University, where she will teach in music.
In 2019, while pursuing her Master of Music degree at the University of Ottawa, Anneli was awarded a SSHRC Canada Graduate Scholarship for a research project evaluating gender representation of songwriters in Contemporary Worship Music, focusing specifically on the Top 25 songs charting on the Christian Copyright Licensing International (CCLI) lists. Working under the supervision of Dr. Jada Watson, this project drew on SongData’s methodology for analyzing representation on popularity charts, and found significant decline in representation of female songwriters on the chart (overall) and in the top positions specifically. She also documented a change in the patterns of collaborative songwriting, noting that women were increasingly eliminated form these opportunities – dropping from 50% in 1988 to 4.2% by 2008. More critically, women writing in these collaborations were often spouses of one of the male writers. Some of these details are captured in the infographic (right), available for download for those interested in a closer look at her findings. This work was presented at the 2019 meeting to the Society for Christian Scholarship in Music.
Anneli continued this research in her dissertation work in the University of Ottawa’s Ph.D. in Interdisciplinary Research in Music program. As an extension of her research on gender and music in contemporary songwriting circles and her experience as a composer and song leader for worship music, Anneli’s doctoral research investigated the place of women in the contemporary worship movement through interviews with 22 women in the industry. This project considered how women have been represented as songwriters of worship music, whether publicly or behind the scenes, investigating how they worked within patriarchal systems of the church that suppressed their creativity and leadership, and how the language of the church’s worship has limited their potential.
Anneli is a much-sought after collaborator in scholarly and creative spaces, and her work is widely published in academic and public-facing outlets.
Citation for Infographic:
Loepp Thiessen, Anneli. 2020. “Boy’s Club: Examining the Songwriters of Contemporary Workship Music.” Retrieved from https://songdata.ca/research-team/student-researchers/loeppthiessenanneli_ccli-poster-may2020/.